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Tuesday, April 24, 2018

Left behind - the view from the bar


This is a brief essay in response to Sarah O'Connor's article in The Financial Times Weekend Magazine published on Saturday 16 November 2017 (O’Connor & Burn-Murdoch, 2017), the conversation it triggered locally and nationally. It is also a response to the meeting held by LeftCoast, ‘Left Behind – Blackpool a Drop Out Town?’  on 18 January 2018 and the mini-manifesto produced by LeftCoast, which will form the foundation for, Left Behind... #2 - Creative Conversation on the 8 February 2018.

The article prompted a renewed personal interest in the decline and fall of Blackpool. I arrived on the Fylde Coast in 1971. Blackpool was in full swing but the chains were well rusted through and it was clear from the public debate and the newspaper headlines that the infrastructure and superstructure were starting to crumble. Family holidays were in decline but weekends, particularly during the “Lights”, were more popular than ever if the number of cars queuing to get into Blackpool on a Friday evening was anything to go by, and this was pre M55.

Sarah O'Connor's article laid bare the problems of economic decline, low wage economy, social deprivation and the evidence of conflicting government legislation, re benefits, and muddled thinking by local and regional politics. Digging in the archives revealed a library of dust covered reports of one sort or other going back to 2003 and probably further if I could have raised the enthusiasm to look. These were reports that identified all the problems and offered a range of miracle solutions to halt Blackpool’s economic decline and cure the resultant social deprivation. Then there were the government reports offering analysis, solutions and in some cases olive branches and the occasional wad of money to reinvent, save and invigorate coastal or seaside towns and liberate them of their post-industrial ills. Inevitably to add cream to the mouldering pile there are the academic papers and reports that say all the same things but in a language that no one understands.

All of this makes very interesting if not depressing reading particularly when you realise they all use the same words occasionally rearranged, come to the same solutions and offer the same advice which always costs too much to implement even if it was sound in the first place. I sound cynical. It is clear that over the years Blackpool backed the wrong horses, allowed vested interests and petty politics to cloud their judgment. For example in the 70’s they decided to build a zoo rather than the equivalent of the NEC Exhibition Centre and Birmingham’s Conference Centre, a University was mooted for the same location.  Local interests blocked such developments first because they did not want town centre trade moving the outskirts of the town and many of the local politicians lived in the proposed development area and they didn’t want any noisy students disturbing the peace and tranquillity of the locality. However, not to repeat the mistakes of the recent past local worthies were excited by the prospect of Blackpool becoming the Las Vegas of the UK by bidding for the Blair Governments national rescue package to flood the country with Casinos.  The prospect of avarice beyond dreams was too much and yet another report was commissioned. To cut a long story short Scottish Presbyterian Gordon Brown had a biblical moment or saw sense and quashed to plan, well more or less.  The result was Blackpool fell into a black-hole; the early noughties were a bad time for Blackpool.

If Sarah O'Connor's article has done one thing is generated a local and national debate, the centre of which is Blackpool. It has even had the unlikely outcome of introducing a new audience to the FT, no mean feat. The article though well researched and written overlooked some of the relevant histories and avoided mentioning the infrastructure changes that have and are taking place in and around Blackpool in that past few years. New seafront and promenade, new trams and buses, major upgrades to the main gateways into Blackpool. Very significant investment into existing attractions such as the Pleasure Beach, which constantly reinvents itself and gets very little recognition, that’s another story.  Major investment in new brand and upmarket hotels, and at long last a conference centre as part of a major refurbishment of the Winter Gardens complex.  The upgrade and electrification of the west coast mainline link to Blackpool and all points North, South and East and with this, a major revamp of Blackpool’s’ railway stations.

Something else the article failed to acknowledge is the contribution made to this reinvention of Blackpool by culture and art led interventions. One of the cornerstones of most of the reports relating to the regeneration of coastal towns is the role played by cultural and artist let initiatives.  The creative community has been responsible for initiating a number of notable if not spectacular regeneration projects in, Hastings, Margate, Brighton, Folkestone, Great Yarmouth and, not least, in Blackpool; note the geographical bias. This is echoed by successful cultural and creative programmes of both economic and social regeneration in non-coastal communities namely, Manchester, Liverpool, Leeds, and even Hebden Bridge.

But what of Blackpool and it's precarious limbo state of deprivation as portrayed in the FT article? As stated earlier the purpose of this essay is twofold, firstly to link the FT article with the ensuing response by both the local and the creative communities. Secondly, as a segue into my art practice and my creative contribution to the debate. As a starting point for both issues, what better place to seek the answer to that question than at the bar of a local watering hole. The beer-bellied and dodgy denture wearing, bar room lawyers, are always ready to make a comment and provide advice on any subject no matter how mundane or convoluted. That is if you can get them to stop discussing Brexit, with their veiled racist rhetoric and endless pronouncements on the benefits system. Who knows, there may be a pearl of wisdom to be had from one or more of the brethren gathered in the “Snug”.
For those who could not afford to fork at 5 quid on a Saturday for the FT weekend magazine, or did not know that such a publication existed, I regaled the assembled, with the gist of Blackpool’s sorry state as portrayed in O’Connor’s article. One old acquaintance took the bait and had me opening the notebook app on my phone to record his words of wisdom. Mobile phone's being normally prohibited in this company.

Jim (not his real name, in case he reads this) is a Sandgrown’un, (one born within sight of Blackpool Tower, more or less) in his mid-seventies (aren’t we all?), an ex-maths teacher, ex-hotelier and now a Blackpool landlord. Not the pub variety but the privately rented accommodation variety. At 76 Jim is a tad older than me but still ride his Triumph Thunderbird most days and when not tending his flock of tenant’s, pandering to their every need, and keeping an eye open for anybody stepping over the line. Jim is very sharp, a man who can read a balance sheet at 40 paces and a very shrewd businessman. So, what is your view of Blackpool and its problems Jim, I asked him? He quickly rattled off 3 opinions, which I felt hit the nail on the head. I was so taken with the poignancy of the points he raises, I asked him to repeat his words so that I could note them down.

One, when the government stopped paying housing benefits directly to landlords, tenants, many of whom struggle to survive on the remainder of their benefits, suddenly had their rent money to manage. The result, the streets of Blackpool were suddenly flooded with drug dealers keen to take advantage of the situation, an upsurge in smack heads and alcoholics was the result. People stopped paying their rent, eviction soared, a nightmare unfolded.

Two, they change the rules again; tenants could apply to have rent paid directly to the landlord depending on the tenant's circumstances. The bureaucracy was a nightmare, but the money supply on the streets dried up. The drug dealers disappeared, well not completely but they were less evident, alcohol sales fell, and there were fewer drunks about. There was a 
reduction in unpaid rent and inevitably evictions. But the situation never fully recovered.

Three, then they started messing around with the housing benefits again with, age-related caps, invalidity benefits, bedroom taxes etc etc. This brought with it a whole new set of problems mainly those people who weren't receiving enough housing benefit to pay the rent and it's not as though rents in Blackpool are high. The result of this was an increase in people sleeping on the streets and homelessness in general. Begging increased both legit and organised. Inevitably this cash was spent on booze and drugs, particularly the cheap booze, the 2L bottles of cider and the latest drug craze, “legal highs" such as "Spice".

Oh yes there was a fourth point, Blackpool Council decided in an effort to eliminate rogue landlords and improve the standard of accommodation, particularly in HMO’s, houses of multiple occupancy, a great idea, but at what cost? The changes cost landlords a significant amount of money not only to meet the new specifications but to pay the significant licensing fees that went with it, namely £700 for an HMO and £1,000 for a flat. I had one HMO, Jim said, it had 10 rooms, but it was plagued with problems, bad payers, bad behaviour, vandalism etc etc. I decided to convert the property into self-contained flats but this meant my license went from £700 to £1,000. What sort of incentive is that for landlords to upgrade property?

Jim’s experience is reflected in the numerous reports, manifestos, master plans, call them what you will, that have been generated in the past 15 years or so outlining Blackpool's plans for the future. These independent documents all highlight the problems referenced in the FT article as do similar reports for other seaside towns. The social issues related to the post-industrial economic decline is exacerbated by increased stringency, complexity and obfuscation in relation to welfare and benefits legislation and administration and the impact this has on the local situation. The FT report highlights the important role of charities, particularly the CA (Citizens Advice), in lightening the burden of this situation and the influence it has on lives of those who rely on government benefits. In the grand scheme of things, the effects of welfare and benefits dependent effects are seen by the report writers as both threats and weaknesses when it comes to marketing the regeneration programme. In one of the most recent Blackpool focused reports, “Destination Blackpool - Resort Place-Making 2015-2017” the problem is euphemistically referred to as a Hygiene factor.

The report discusses the importance of the Charity sector in resolving welfare and mental health problems, particularly the Citizens Advice, the CA, formally known as the CA, Citizens Advice. It turned out that the wife of another of my drinking acquaintance’s works for the Blackpool CA. As the FT article identifies an organisation that offers a glimmer of hope to those doing battle with the System, a haven of sanity and sound advice in a melee of bureaucracy, endless convoluted forms and perceived pettiness. He confided that she was considering leaving the CA after many years of voluntary work, in a job that she loved the reason, poor morale, constant cuts in funding and a rise in petty bureaucracy, whilst dealing with an increase in demand for services that cannot be met. The cuts to voluntary sector funding mean the CA operates under third world conditions with clapped out equipment, primitive facilities and a virtual absence of modern technology. The organisation lives in fear of competition from commercially funded bodies invading the voluntary sector, backdoor privatisation as in the NHS. The one glimmer of hope for those struggling to survive at the margins of society looks as though it may be extinguished leaving the vulnerable and abused in an even more desperate situation than they currently find themselves. What effect will that have on the problems of Blackpool and the “left behind”?

References

O’Connor, S. & Burn-Murdoch, J. (2017) Left behind: can anyone save the towns the UK economy forgot? Financial Times. Available from: https://www.ft.com/blackpool [Accessed 5 February 2018].

Blackpool: a forgotten town
https://www.ft.com/video/d0fd944f-42a6-4f28-ae34-4c5a261ef05f

Left behind: can anyone save the towns the economy forgot?
https://www.ft.com/content/b6dbf34e-c987-11e7-aa33-c63fdc9b8c6c

Slowing Down to Listen in the Digital Age: How New Technology Is Changing Oral History Practice
https://academic.oup.com/ohr/article/44/1/94/3059832

Oral-History: List of all Oral Histories
http://ethw.org/Oral-History:List_of_all_Oral_Histories

Oral History in the Digital Age
http://ohda.matrix.msu.edu/best-practices/

Doug Boyd: Oral History in the Digital Age
https://www.youtube.com/watch?v=mhOPgBvO8V8

Amazon Transcribe
https://aws.amazon.com/transcribe/

What are Amazon Transcribe Alternatives and Competitors?
https://www.g2crowd.com/products/amazon-transcribe/competitors/alternatives


Tuesday, November 21, 2017

Left behind: can anyone save the towns the economy forgot? - Financial Times Magazine

Left behind: can anyone save the towns the UK economy forgot?



On The Edge: A Response

Sara O’Connor’s dystopic view of Blackpool, On the edge: Inside the town that the British economy forgot, in the Financial Times Weekend Magazine (O’Connor & Burn-Murdoch, 2017) generated an online response which one suspects surprised even the writer. Many of the comments acclaimed the quality of the article. However, a number bemoaned the absence, even as a rider, of any reference to the positive developments and investment that are taking place in the town.

O’Connor reports on why the national policy has failed and asks what are locals are doing to turn things around?  The answer to her question is the locals have done a great deal, as she would have discovered if her research had been completed, the information is in the public domain.

Source: https://www.ft.com/blackpool

Monday, February 29, 2016

The Preston & Wyre Railway Opening Day, 15th July 1840 - Tragedy

The Preston & Wyre Railway Opening Day - Tragedy

The day the railway opened, 15th July 1840, had been accompanied by considerable celebration not only by the dignitaries but by ordinary folk as well. This is the account of the fatal outcome of a gentleman from Preston who had celebrated just a little too much...

Fatal Accident on the Line

    Robert Hornby Porter of Poulton. A schoolmaster, stated:- A little after seven o’clock last night, I was returning with the train from Fleetwood. I was sitting on a first-class carriage, the second in the train. The deceased was sitting on the same carriage, on the same seat as myself: he appeared to me to be very intoxicated. When the train had got past the piles (on which the train crosses the Wyre water), which might be a mile and a quarter, the deceased, as I thought, was attempting to get to the other carriage, which was  the first: and in that attempt, he fell down and disappeared in a moment. I called out as hard, as hard as I could shout to the engineer that a man had fallen down. The engineer as soon as I believe he heard me, stopped the engine as soon as he could: and at some distance, I saw a body lying. The engineer and the guard were both attending properly to their duties. No blame can be imputed to any of the servants of the railway company. The accident was entirely occasioned by the improper conduct of the deceased, in endeavouring to get to the first class carriage whilst the train was in motion. William McKay, No 236 of the county constabulary stated:- I was on duty yesterday at Fleetwood; and, about seven o’clock in the evening, I saw the deceased who was in a state of intoxication. He was then in a second-class carriage; and I was authorised by a gentleman to take him out of the carriage, which I did; and in a few minutes afterward, I took him out a second time.  I did not consider him in a fit state to go as a passenger with the train. The deceased then went into the rear of the carriages, and I saw no more of him. The deceased id the same person I took out of the carriage.

    Some other witnesses were examined, whose evidence was for the most part only corroborative of the above statements. The jury immediately returned a verdict of “Accidental death.” We learned that Sir Peter Hesketh Fleetwood, on hearing of the melancholic event which thus marred the otherwise uninterrupted harmony of the day’s proceedings, immediately deputed some gentlemen to enquire into the circumstances of the family of the deceased, and to provide for them in such a manner as the circumstances of the case required; and we have much pleasure in being able to state, that by the human attention of the worthy baronet and of other persons, the  disconsolate widow and family of the deceased will in their bereavement receive timely relief. It is some consolation to observe, that no blame or carelessness can be imputed to any person connected to the management of the train.

Source Manchester Guardian 18 July 1840 the text is verbatim.

Related to Residency with Wyre BC People, Place & Conversation


Monday, February 15, 2016

Unlikely Places - Preston & Wyre Railway - Residency Wyre BC


Pass a building site at the bottom of the aptly named Station Road in Poulton and the sharp eyed may notice amongst the piles of earth and concrete a patch of ancient cobbles, some railway sleepers and a couple of lengths rusty railway track.

These remnants of the Industrial Revolution are a clue to the existence of one of Wyre’s most “Unlikely Places” the remains of one of the first railways to be built in Britain, the railway that connected the new town of Fleetwood to Preston and the rapidly expanding railway network that was linking the factories and ports of Lancashire with London. It is also the site of Poulton’s first railway Station.

Preston & Wyre Railway was conceived in 1835 by local landowner and politician Peter Hesketh Fleetwood, and opened in 1840. It carried passengers and freight until 1970 when the passenger service ended, freight services continuing until 1999.

The railway was once part of the West Coast mainline linking Scotland to London. On one occasion paying host to Queen Victoria on a return trip from Scotland. The railway was a great success, in its first month the service carried over 20,000 passengers.

Peer over the bridge at Poulton Station and a section of rusting rail track mysteriously vanishes into a thicket of bushes and brambles, this is another part of the railway to Fleetwood, a part that is still almost intact all the way to Fleetwood.

The railway is currently being refurbished by Poulton & Wyre Railway Society with the long term objective of re-establishing a working railway.

Related to Residency with Wyre BC - People, Place & Conversation

Saturday, February 13, 2016

Preston Wyre Railway - Fleetwood to Poulton - ICI to Burn Naze - 2015



A selection of images taken with the permission of the Poulton & Wyre Railway Society, of a section of the former Fleetwood to Poulton railway track, from the Fleetwood boundary of the former ICI site to the recently refurbished Burn Naze station.

Friday, February 12, 2016

Artist in Residence Project - Preston & Wyre Railway 1840 - 1999


In August 2015 retired scientist and local artist Alistair Parker was awarded a commission as Artist in Residence by Wyre BC in partnership with LeftCoast, as part of the “Creative People in Places” initiative on the project, “People Places & Conversation”, part of a collective of six artists.

For his residency he chose to engage with the former historic Preston and Wyre Railway, a wonder of the Industrial Revolution and Victorian innovation. The railway was the vision of Sir Peter Hesketh-Fleetwood and opened in 1840; just five years after the opening of the first passenger railway between Liverpool and Manchester and only five years after work was started on the project. The railway has a fascinating history and was instrumental in the establishment of the port of Fleetwood, as the first town to owe its very existence to the building of a railway and the first seaside town on the Fylde coast. The railway was a great success it was planned to carry 15,000 passengers in its first year, the railway carried 20,000 passengers in the first month.

Unless you are tall enough to see over the parapet of the Breck Road bridge at Poulton Station you probably would not realise that as the railway track emerges from the station heading for Blackpool there is a branch off to the right just before the signal box, the rusting rails disappear into an overgrown tangle of brambles, bushes and rapidly growing trees, this is the disused railway line to Fleetwood, realigned here in 1896. Just four hundred yards further down Breck Road at the junction with Station Road another mysterious piece of railway history has recently been excavated, the remains of the original 1840 railway line to Fleetwood together with the foundations of the original Poulton Station. The Poulton to Fleetwood line closed to passenger traffic in 1970 and finally to freight traffic in 1999. The track rapidly became overgrown and virtually invisible, amazingly the track is still in place as far as the bridge at Jameson Road, a hidden reminder of a speculative adventure.

Plans to reopen the line began in 2006 when Poulton and Wyre Railway Society was formed with the objective of reopening the Poulton to Fleetwood railway line. To date they have refurbished Thornton Cleveleys Station and are currently engaged in the renovation of Burn Naze Station. The Society has cleared significant sections of the track and has a number of railway related items they are in the process of refurbishing, including a diesel shunter. Funds are currently being raised for the purchase and refurbishment of a Diesel Multiple Unit, similar to the last rolling stock that formerly ran on the line. A report commissioned by Wyre BC in 2009 estimated that a full refurbishment of the line would cost in the region of £40m, the option of a Heritage railway run by the Poulton & Wyre Railway Trust would cost £5.5m.

The artists’ task was to find a way of bringing the existence of the railway, its history and future to the attention of a wider audience. With the cooperation of PWRS a limited section of the track was explored together with the history of the railway and the plans for the future. Alistair also conducted a more detailed exploration of the history of the railway through local archives, the Internet and the resources of the British Newspaper Archive. The local libraries proved particularly helpful with this research.

Part of the brief was to engage with the local community. Alistair commission a local artist David McGuire to give his interpretation of the Preston and Wyre Railway. A retired aerospace design engineer, David had been a prolific illustrator and cartoonist in his earlier years but a career and family had cut short his artistic aspirations. It was my intention to offer David a challenge and encourage him to rediscover his artistic talents, I think the results will confirm that he has. Conversations have been had with local residents and people with an interest in the railway and its history. It is planned to engage with local schools in the coming months to complete the project.

Following early retirement as a business man and a career as a Laboratory Scientist, Alistair became a practicing artist, in addition to having a busy commercial art practice, he is engaged in contemporary art research through post-graduate Masters and Doctorate degrees at Lancaster University.

Alistair J Parker, BA(Hons), MA, PhD in progress
Contact: 07711004086 – aj.parker@gmx.com – www.alistairparkerart.com

Saturday, August 8, 2015

Wyre Artist in Residence - People Places & Conversation

Wyre Borough Council in partnership with LeftCoast are offering the opportunity of 5 artists in residence commissions for Wyre based contemporary artists.

The residencies will be an opportunity for artists to work in non-familiar locations and use the opportunity to engage with communities, staff and/or the general public to inform the project that is produced.

The residencies will be based within specifically chosen, non-art spaces for the artist to engage with those different audiences.  The commissions are about people and place; finding the stories of the everyday and revealing something about the lives of Wyre.

The artist commissions can be from any art form from digital art, photography, film, to more traditional art forms of drawing, painting or 3D work. The selection panel will be most interested in how this opportunity can be interpreted through ideas and the approach to working with people and location.

Finally the commissioned artists in residence will be invited to bring their projects together into an exhibition or publication to be shown somewhere in Wyre. It will be the role of the exhibiting artists to co-ordinate and curate the exhibition, find a suitable location or touring opportunities. Marketing and organisational support will be provided by Wyre Council and LeftCoast.

It will be the responsibility of the 5 successful artists to co-ordinate when their projects have been completed and when they would like the exhibition to happen. The end of the whole project will need to be no later than the 31 March 2016.