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Wednesday, February 1, 2023

Jeff Young - Ghost Town

 I have with good fortune just rediscovered Jeff Young, Jeff is a writer for radio, television, stage and screen. He is one of BBC Radio Drama's most acclaimed dramatists, having written over twenty broadcast plays. For television, he has written for Casualty, Doctors, Eastenders, and Holby City. He has worked on many arts projects in Liverpool, including with Bill Drummond. He is also a senior lecturer in Creative Writing at the Screen School of Liverpool John Moores University.

I came across Jeff about 12 months ago whilst researching writing styles through his broadcasts on BBC Radio 3's podcast The Essay My journal entry highlighted the similarity between some of the experiences of Liverpool that Jeff writes about and my own. I was delighted to discover that when I revisited Jeff on the internet in respect of the Creative Writing course that I have just started, mainly because I am proposing to write a memoir, I was delighted to discover that Jeff had not only published a new book Ghost Town but that he was a Costa Award nominee. 

I downloaded a sample from Kindle and was immediately blown away by Jeff's writing, both content and style. From his opening words, I felt as though I had just started reading my own Memoir. I downloaded the full book and also the Audible audiobook version. I was not disappointed, whilst the book was magic to read the audio so beautifully narrated by David Mossisy, whose soft scouse tones were made for the task, was a delight to listen to. I binged it.

Jeff's style of writing is like no other I have experienced. it is vividly visual, a perfect example of what My Creative Writing tutor had been trying to convey, "Show not Tell" style of writing. This is the first paragraph from Ghost Town...

My mother liked to trespass—she didn't call it 
trespassing, she called it having a nose. We'd 
have a look round the Corn Exchange or go up 
the back stairs of an insurance building, slip 
into the Oriel Chambers and sort of just ... 
breathe. We were breathing in Victorian dust 
and the pipe smoke of Dickensian ledger 
clerks; drinking in shadows and gloom and 
beams of light. We'd stand on fire escapes and 
gaze across the rooftops. I was short- 
trousered and eight years old and I was madly 
in love—with a city. 

Jeff Young 

I was hooked, this is what my Grandma used to do with me, drag me around the numerous magnificent buildings of Liverpool as though she owned them, with no regard for the commissioner on the door or the reception desk, she took me on her own conducted tour, explaining things as we went. Then, Jeff's evocation of moving to the edgelands of north Liverpool again echoed the experience I shared with my best mate Leo when he was moved from Liverpool's Dock Road to the half-built estate of Netherton, our own adventure playground, even more, adventurous than the one he had left behind among the soaring Warehouses and desolate bomb sites of the docklands.





Monday, January 30, 2023

Writing Aids - Software

Word

The suitability of Word as a means of recording your writing depends to some extent on your ability to master the software, particularly when it comes to formatting layout and text. A dictaion option is available through Microsoft but it is not as accurate as the Google option.

OneNote

One Note is part of the Microsoft Office or Microsoft 365 bundle of software. It is described as a Note Taking application. Its principle advantage over most other options is text and formatting is saved as you type, and syncronised across other devices running the programme.Also supporting  insertion of photos, annotating, web page clipping, emailing.

Google Docs

Part of Google Workspace, an online word processing app with basic formatting capabilities. Advantages of instant save and syncronisation across devices. It also has a top of the range dictation option.

Manuskript

Manuskript offers an incredibly clean interface for distraction-free writing. It’s also one of the most popular Scrivener alternatives. The open-source alternative features a simple, yet powerful, editor, along with an intuitive outlining function. Tabs keep all your windows and tasks neatly organized.

Writing a Memoir, These books maybe helpful

 

On Writing: A Memoir of the Craft
Stephen King
Immensely helpful and illuminating to any aspiring writer














The Ode Less Travelled
Stephen Fry
For those struggling with the mechanics of poetry
















Write It All Down: How to Put Your Life on the Page
Rentzenbrink Cathy 
Tackle the challenges of memoir writing and share your story.


Immense
















Ghost Town: A Liverpool Shadowplay
Jeff Young
An evocation of Creative Writing by a master of the craft














Thursday, January 26, 2023

The use of AI in Writing

The rapid growth in all things Artificial Intelligence (AI)  is phenomenal. One of the leading advocates of the use of AI in the world of writing is best-selling author Joanna Penn, whose Podcasts I have listened to for many years. I thought it might be helpful for my fellow Creative Writers if I pulled together some of Joanna's podcasts that include references to the use of AI in writing, for their personal study.

Links to podcasts featuring references to AI in writing copied from The Creative Penn website, all copyright recognized

Each podcast comes with a set of notes which include links and other information.

The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2021 › April › 9
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9 Apr 2021 ... If you write a book in English, let's say, and then you want to convert it to other languages. Maybe you're not going to make an audiobook in ...
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2021 › November › 26
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26 Nov 2021 ... And they say 58% saying discovering a book that they enjoy, AI narrator, it has no impact on their opinion. So I think it might be early days, ...
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2021 › February › 12
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12 Feb 2021 ... To get into some specific examples, quoting from the book, you say, 'Computers are now finally beginning to create art, literature, and music in ...
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2021 › July › 16
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16 Jul 2021 ... Can you talk about the fun side, the spark, and how you use AI to help you write the book? Shane: I'm glad you're having that experience too.
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2021 › May › 7
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7 May 2021 ... Generating marketing content rather than core content, rather than writing your book for you, I think that is the biggest opportunity for ...
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › tag › artificial-intelligence
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Is digital narration with AI voices good enough for non-fiction or fiction audiobooks? Can human narrators benefit through voice licensing?
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › tag › audiobooks
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Is digital narration with AI voices good enough for non-fiction or fiction audiobooks? Can human narrators benefit through voice licensing?
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2020 › December › 4
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4 Dec 2020 ... This is the second in my AI episodes based on my new book, Artificial Intelligence, Blockchain, and Virtual Worlds: The Impact of Converging ...
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2020 › November › 30
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30 Nov 2020 ... I started my podcast in 2009, a decade before the big money entered podcasting, and publishing acknowledged its important role in book marketing ...
The Creative Penn - Writing, self-publishing, book marketing, making a living with your writing › 2019 › March › 11
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11 Mar 2019 ... Marcus, why is a maths professor writing a book about creativity? I know some people might find that difficult. Marcus: I think usually the ...

Thursday, July 8, 2021

William Mitchell – An Unacknowledged Genius… - Reblogged

Source https://wharferj.wordpress.com/2011/09/02/william-mitchell-an-unacknowledged-genius/

Back in April, I wrote about a trip to Liverpool and my discovery of the work of the brilliant sculptor William Mitchell.

Well, as I suggested at the end of that post, I haven’t been able to get his powerful work out of my head, and after some rooting around the internet and a couple of email responses to my earlier post, one to my utter amazement from the artist himself, and another advising that a piece of his work had recently been reinstalled into Kirkby Library in Liverpool, I’ve decided to write another, more detailed and dedicated post on one of our most underrated and unsung post-war sculptors.

William George Mitchell was born in London’s Maida Vale in 1925. After a childhood plagued by illness and missed schooling, he was apprenticed to a local firm of decorators, where he began to learn about materials and craft. The advent of WWII resulted in a stint in the Royal Navy after which he ended up working for the NAAFI (effectively the catering and retail arm of the Armed Forces) where he was responsible for creating painted murals and panoramas on the walls of refurbished club and canteen buildings, at many sites across the globe.

Tuesday, April 24, 2018

Left behind - the view from the bar


This is a brief essay in response to Sarah O'Connor's article in The Financial Times Weekend Magazine published on Saturday 16 November 2017 (O’Connor & Burn-Murdoch, 2017), the conversation it triggered locally and nationally. It is also a response to the meeting held by LeftCoast, ‘Left Behind – Blackpool a Drop Out Town?’  on 18 January 2018 and the mini-manifesto produced by LeftCoast, which will form the foundation for, Left Behind... #2 - Creative Conversation on the 8 February 2018.

The article prompted a renewed personal interest in the decline and fall of Blackpool. I arrived on the Fylde Coast in 1971. Blackpool was in full swing but the chains were well rusted through and it was clear from the public debate and the newspaper headlines that the infrastructure and superstructure were starting to crumble. Family holidays were in decline but weekends, particularly during the “Lights”, were more popular than ever if the number of cars queuing to get into Blackpool on a Friday evening was anything to go by, and this was pre M55.

Sarah O'Connor's article laid bare the problems of economic decline, low wage economy, social deprivation and the evidence of conflicting government legislation, re benefits, and muddled thinking by local and regional politics. Digging in the archives revealed a library of dust covered reports of one sort or other going back to 2003 and probably further if I could have raised the enthusiasm to look. These were reports that identified all the problems and offered a range of miracle solutions to halt Blackpool’s economic decline and cure the resultant social deprivation. Then there were the government reports offering analysis, solutions and in some cases olive branches and the occasional wad of money to reinvent, save and invigorate coastal or seaside towns and liberate them of their post-industrial ills. Inevitably to add cream to the mouldering pile there are the academic papers and reports that say all the same things but in a language that no one understands.

All of this makes very interesting if not depressing reading particularly when you realise they all use the same words occasionally rearranged, come to the same solutions and offer the same advice which always costs too much to implement even if it was sound in the first place. I sound cynical. It is clear that over the years Blackpool backed the wrong horses, allowed vested interests and petty politics to cloud their judgment. For example in the 70’s they decided to build a zoo rather than the equivalent of the NEC Exhibition Centre and Birmingham’s Conference Centre, a University was mooted for the same location.  Local interests blocked such developments first because they did not want town centre trade moving the outskirts of the town and many of the local politicians lived in the proposed development area and they didn’t want any noisy students disturbing the peace and tranquillity of the locality. However, not to repeat the mistakes of the recent past local worthies were excited by the prospect of Blackpool becoming the Las Vegas of the UK by bidding for the Blair Governments national rescue package to flood the country with Casinos.  The prospect of avarice beyond dreams was too much and yet another report was commissioned. To cut a long story short Scottish Presbyterian Gordon Brown had a biblical moment or saw sense and quashed to plan, well more or less.  The result was Blackpool fell into a black-hole; the early noughties were a bad time for Blackpool.

If Sarah O'Connor's article has done one thing is generated a local and national debate, the centre of which is Blackpool. It has even had the unlikely outcome of introducing a new audience to the FT, no mean feat. The article though well researched and written overlooked some of the relevant histories and avoided mentioning the infrastructure changes that have and are taking place in and around Blackpool in that past few years. New seafront and promenade, new trams and buses, major upgrades to the main gateways into Blackpool. Very significant investment into existing attractions such as the Pleasure Beach, which constantly reinvents itself and gets very little recognition, that’s another story.  Major investment in new brand and upmarket hotels, and at long last a conference centre as part of a major refurbishment of the Winter Gardens complex.  The upgrade and electrification of the west coast mainline link to Blackpool and all points North, South and East and with this, a major revamp of Blackpool’s’ railway stations.

Something else the article failed to acknowledge is the contribution made to this reinvention of Blackpool by culture and art led interventions. One of the cornerstones of most of the reports relating to the regeneration of coastal towns is the role played by cultural and artist let initiatives.  The creative community has been responsible for initiating a number of notable if not spectacular regeneration projects in, Hastings, Margate, Brighton, Folkestone, Great Yarmouth and, not least, in Blackpool; note the geographical bias. This is echoed by successful cultural and creative programmes of both economic and social regeneration in non-coastal communities namely, Manchester, Liverpool, Leeds, and even Hebden Bridge.

But what of Blackpool and it's precarious limbo state of deprivation as portrayed in the FT article? As stated earlier the purpose of this essay is twofold, firstly to link the FT article with the ensuing response by both the local and the creative communities. Secondly, as a segue into my art practice and my creative contribution to the debate. As a starting point for both issues, what better place to seek the answer to that question than at the bar of a local watering hole. The beer-bellied and dodgy denture wearing, bar room lawyers, are always ready to make a comment and provide advice on any subject no matter how mundane or convoluted. That is if you can get them to stop discussing Brexit, with their veiled racist rhetoric and endless pronouncements on the benefits system. Who knows, there may be a pearl of wisdom to be had from one or more of the brethren gathered in the “Snug”.
For those who could not afford to fork at 5 quid on a Saturday for the FT weekend magazine, or did not know that such a publication existed, I regaled the assembled, with the gist of Blackpool’s sorry state as portrayed in O’Connor’s article. One old acquaintance took the bait and had me opening the notebook app on my phone to record his words of wisdom. Mobile phone's being normally prohibited in this company.

Jim (not his real name, in case he reads this) is a Sandgrown’un, (one born within sight of Blackpool Tower, more or less) in his mid-seventies (aren’t we all?), an ex-maths teacher, ex-hotelier and now a Blackpool landlord. Not the pub variety but the privately rented accommodation variety. At 76 Jim is a tad older than me but still ride his Triumph Thunderbird most days and when not tending his flock of tenant’s, pandering to their every need, and keeping an eye open for anybody stepping over the line. Jim is very sharp, a man who can read a balance sheet at 40 paces and a very shrewd businessman. So, what is your view of Blackpool and its problems Jim, I asked him? He quickly rattled off 3 opinions, which I felt hit the nail on the head. I was so taken with the poignancy of the points he raises, I asked him to repeat his words so that I could note them down.

One, when the government stopped paying housing benefits directly to landlords, tenants, many of whom struggle to survive on the remainder of their benefits, suddenly had their rent money to manage. The result, the streets of Blackpool were suddenly flooded with drug dealers keen to take advantage of the situation, an upsurge in smack heads and alcoholics was the result. People stopped paying their rent, eviction soared, a nightmare unfolded.

Two, they change the rules again; tenants could apply to have rent paid directly to the landlord depending on the tenant's circumstances. The bureaucracy was a nightmare, but the money supply on the streets dried up. The drug dealers disappeared, well not completely but they were less evident, alcohol sales fell, and there were fewer drunks about. There was a 
reduction in unpaid rent and inevitably evictions. But the situation never fully recovered.

Three, then they started messing around with the housing benefits again with, age-related caps, invalidity benefits, bedroom taxes etc etc. This brought with it a whole new set of problems mainly those people who weren't receiving enough housing benefit to pay the rent and it's not as though rents in Blackpool are high. The result of this was an increase in people sleeping on the streets and homelessness in general. Begging increased both legit and organised. Inevitably this cash was spent on booze and drugs, particularly the cheap booze, the 2L bottles of cider and the latest drug craze, “legal highs" such as "Spice".

Oh yes there was a fourth point, Blackpool Council decided in an effort to eliminate rogue landlords and improve the standard of accommodation, particularly in HMO’s, houses of multiple occupancy, a great idea, but at what cost? The changes cost landlords a significant amount of money not only to meet the new specifications but to pay the significant licensing fees that went with it, namely £700 for an HMO and £1,000 for a flat. I had one HMO, Jim said, it had 10 rooms, but it was plagued with problems, bad payers, bad behaviour, vandalism etc etc. I decided to convert the property into self-contained flats but this meant my license went from £700 to £1,000. What sort of incentive is that for landlords to upgrade property?

Jim’s experience is reflected in the numerous reports, manifestos, master plans, call them what you will, that have been generated in the past 15 years or so outlining Blackpool's plans for the future. These independent documents all highlight the problems referenced in the FT article as do similar reports for other seaside towns. The social issues related to the post-industrial economic decline is exacerbated by increased stringency, complexity and obfuscation in relation to welfare and benefits legislation and administration and the impact this has on the local situation. The FT report highlights the important role of charities, particularly the CA (Citizens Advice), in lightening the burden of this situation and the influence it has on lives of those who rely on government benefits. In the grand scheme of things, the effects of welfare and benefits dependent effects are seen by the report writers as both threats and weaknesses when it comes to marketing the regeneration programme. In one of the most recent Blackpool focused reports, “Destination Blackpool - Resort Place-Making 2015-2017” the problem is euphemistically referred to as a Hygiene factor.

The report discusses the importance of the Charity sector in resolving welfare and mental health problems, particularly the Citizens Advice, the CA, formally known as the CA, Citizens Advice. It turned out that the wife of another of my drinking acquaintance’s works for the Blackpool CA. As the FT article identifies an organisation that offers a glimmer of hope to those doing battle with the System, a haven of sanity and sound advice in a melee of bureaucracy, endless convoluted forms and perceived pettiness. He confided that she was considering leaving the CA after many years of voluntary work, in a job that she loved the reason, poor morale, constant cuts in funding and a rise in petty bureaucracy, whilst dealing with an increase in demand for services that cannot be met. The cuts to voluntary sector funding mean the CA operates under third world conditions with clapped out equipment, primitive facilities and a virtual absence of modern technology. The organisation lives in fear of competition from commercially funded bodies invading the voluntary sector, backdoor privatisation as in the NHS. The one glimmer of hope for those struggling to survive at the margins of society looks as though it may be extinguished leaving the vulnerable and abused in an even more desperate situation than they currently find themselves. What effect will that have on the problems of Blackpool and the “left behind”?

References

O’Connor, S. & Burn-Murdoch, J. (2017) Left behind: can anyone save the towns the UK economy forgot? Financial Times. Available from: https://www.ft.com/blackpool [Accessed 5 February 2018].

Blackpool: a forgotten town
https://www.ft.com/video/d0fd944f-42a6-4f28-ae34-4c5a261ef05f

Left behind: can anyone save the towns the economy forgot?
https://www.ft.com/content/b6dbf34e-c987-11e7-aa33-c63fdc9b8c6c

Slowing Down to Listen in the Digital Age: How New Technology Is Changing Oral History Practice
https://academic.oup.com/ohr/article/44/1/94/3059832

Oral-History: List of all Oral Histories
http://ethw.org/Oral-History:List_of_all_Oral_Histories

Oral History in the Digital Age
http://ohda.matrix.msu.edu/best-practices/

Doug Boyd: Oral History in the Digital Age
https://www.youtube.com/watch?v=mhOPgBvO8V8

Amazon Transcribe
https://aws.amazon.com/transcribe/

What are Amazon Transcribe Alternatives and Competitors?
https://www.g2crowd.com/products/amazon-transcribe/competitors/alternatives


Tuesday, November 21, 2017

Left behind: can anyone save the towns the economy forgot? - Financial Times Magazine

Left behind: can anyone save the towns the UK economy forgot?



On The Edge: A Response

Sara O’Connor’s dystopic view of Blackpool, On the edge: Inside the town that the British economy forgot, in the Financial Times Weekend Magazine (O’Connor & Burn-Murdoch, 2017) generated an online response which one suspects surprised even the writer. Many of the comments acclaimed the quality of the article. However, a number bemoaned the absence, even as a rider, of any reference to the positive developments and investment that are taking place in the town.

O’Connor reports on why the national policy has failed and asks what are locals are doing to turn things around?  The answer to her question is the locals have done a great deal, as she would have discovered if her research had been completed, the information is in the public domain.

Source: https://www.ft.com/blackpool