Self:
The Photograph, Memory and Nostalgia
This
exhibition is in partial fulfilment of the MA Contemporary Arts Research
MA
Contemporary Art Research (Fine Art)
Personal Statement
Dissertation: This enquiry
takes the form of a personal reflective narrative within a theoretical
framework influenced by the writings of Barthes, Sontag, Benjamin and others.
It opens by briefly exploring the historical development of photography and the
emergence of the photograph as a as the snapshot
in the context of the family photograph. The enquiry considers the relationship
between the family photograph and the development of autobiographical memory in
turn a detailed exploration of the influence of autobiographical memory and the
sense of self. Finally the dissertation explores the emotional influence of
nostalgia as a catalyst in the development of a sense of self and place.
Exhibition: This is a
practice based exhibition comprising three installations which explore in turn;
the notion of aging and mortality through the decay of memory and the ephemeral
photograph; the family photograph and the uncanny nature of the pose based on a
selection of family photographs spanning four generations; a simulation of the
frailty of memory in which appropriated frames of decaying film stock are
combined with familiar images in a dissonant melange of the familiar and the confused.
The enquiry is informed by a series of questions: Is my art
practice born out of a sense of self and agency? What are the influence of
autobiographical memory and the emotion of nostalgia?
This comment has been removed by a blog administrator.
ReplyDelete